Northshire Bookstore ReviewReviewed By... Bruce AndersonFor years now the genius of Jorie Graham's headlong, nigh logorrheic style has been to simultaneously court and deny the identity of the poetic line, allowing potential linear thrust to occupy a ground beyond the line but short of the paragraph. In
Sea Change that compromise takes form as a margin-to-margin mass of words counterpoised (or transfixed) by a series of shorter lines running in a slender ...
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